doronjosama: (pensive)
[personal profile] doronjosama
This is a must-read for anyone interested in the continuing health of the North American comics industry.

That's not hyperbole. I'm seeing this stuff from both sides, as both a comics publisher and a comics retailer, and Chris nails it. This is what has been going on. How much stuff are we missing at the shop I work at, the shop that is considered to have the best selection in our city? Never mind the things that have been hit with a Code 28, what things weren't even listed that we might have normally carried?

I end up doing a lot of searches for people looking for things at work. And it's always upsetting to find things that have been out for six or eight or ten months that Diamond Distribution apparently just didn't even bother to list. (Ouran High School Host Club Season 1 Part 2 DVD set? REALLY?!)

I admit, my taste is not the average comic reader's. I don't read superheroes aside from cursory pass-throughs on my lunch breaks to keep up with stuff for work. I read a lot of obscure indie stuff and a lot of manga and manhwa that categorically Do Not Sell in our store (I special order). But I do know if I find something that I think is awesome and amazing, I CAN HAND-SELL THAT. I am damn good at hand-selling. It's what I've done since I first started working in a comic store when I was 19. ([livejournal.com profile] jameshanrahan and I hand-sold literally dozens of copies of The Death of Speedy and dozens of copies of a brand new comic called Bone, back in the day.)

I can't hand-sell stuff when we can't even get it in the store because we didn't even know it existed. This is where the Direct Market is going to fail us as retailers, and where it is going to fail us as consumers.

It's kind of already failing me as a publisher, so it shouldn't be too unexpected, really.
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